Following the celebration of the European Authors’ Day—an initiative that highlights the richness of European literature and encourages interest in reading among young people—attention naturally turns to one of the continent’s most significant literary events: Leipziger Buchmesse. The 2024 edition, held at the end of March, once again transformed Leipzig into a focal point for readers, authors, publishers, and media representatives from across Europe and beyond.
Leipziger Buchmesse is traditionally regarded as the most important spring gathering of the publishing industry in Germany. In 2024, the fair attracted hundreds of thousands of visitors and more than two thousand exhibitors from dozens of countries, confirming the sector’s renewed vitality and the public’s sustained interest in books. Although I managed to avoid the long queues at the entrance, the crowds inside the exhibition halls were everywhere—lively corridors, packed reading stages, and stands surrounded by readers seeking autographs and conversations with their favorite authors. The shared goal was clear: to experience the diversity of literature, discover new titles and trends, and immerse oneself in the world of books.
This year’s motto—“Wer liest noch?” (“Who still reads?”)—sparked discussion even before the official opening. In an age of digital distractions and rapidly consumed content, the question sounded both critical and unifying. The answer was visible on site: thousands of young people, families, industry professionals, and passionate readers proving that interest in literature remains vibrant and dynamic.
Particularly impressive once again was the citywide program Leipzig liest (“Leipzig Reads”). With over 2,500 events and approximately 2,900 participants—including authors, translators, publishers, and moderators—the festival turned the entire city into a literary stage. Readings and discussions took place in bookshops, theatres, museums, schools, and alternative venues, creating the sense of an extensive cultural network with the book at the center of public conversation.
Among the international exhibitors, the stand of TRADUKI stood out. TRADUKI is an international literary network connecting German-speaking countries with ten countries in Southeastern Europe. The Bulgarian presence was also represented there. Participation within this framework is particularly important, as it promotes translation, exchange, and greater visibility for contemporary Bulgarian literature in the German-speaking market.
One of the Bulgarian authors who drew attention this year was Рене Карабаш (Rene Karabash). Her participation in the program offered international audiences the opportunity to engage with a contemporary Bulgarian literary voice. Such appearances demonstrate that Bulgarian authors and their works are increasingly finding a confident place within the broader European literary dialogue.
Literature enthusiasts had the opportunity not only to listen to readings from new publications but also to take part in panel discussions addressing current issues—from the role of artificial intelligence in publishing to freedom of expression and sustainability in book production. The fair once again proved that it is far more than a trade exhibition; it is a cultural forum where ideas, languages, and perspectives meet.
The presence of Bulgarian authors and institutions in Leipzig is both a source of pride and a sign of active participation in Europe’s cultural landscape. In the context of European Authors’ Day, this carries even greater meaning: literature is not merely a national heritage but a shared European space in which stories travel beyond borders. And Leipzig once again demonstrated that the question “Who still reads?” has a clear and inspiring answer—many people, and with growing enthusiasm.
Text: Milena Radeva
Photos: BBA and Leipziger Buchmesse
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